Reviews

This one was o-kay. It really hooked me at first, but it lost me pretty quickly because the pacing was just so very slow. It felt like we only got through the first few establishing chapters of a story and didn’t actually get into any meaningful plot. I think this is partially because this tries to riff on “Delicious in Dungeon” a bit (with a strong focus on cooking segments) and also because it does a lot more telling than showing (the episode where they are flying on the back of the dragon, I’m looking at you). Overall, there was nothing offensive about this, butit felt pretty slow and derivative. You might enjoy it fine enough, but there are many better villainess anime out there.

Wow! Honestly, it has been such an incredibly long time since I have felt this exact way about an anime series. It is truly one of the absolute best television shows that I have ever watched in my entire life, and I completely love it! It simply made me cry real tears of pure joy and overwhelming emotion. I really appreciate how every single character has their own unique sparkle and shines in their own very special way. To be completely honest with you, I was feeling terribly stressed out recently, but watching this beautiful anime finally made me feel true happiness all over again.

Sousou no Frieren 2nd Season was not as epic as the first season, mainly because it had fewer episodes and served as a transition to the next, more complex arc of the story. I really liked the second season; it had some short but memorable moments. Why should you watch this season? Frieren is made up of small adventures that unfold over one or more episodes, but each one connects to the others, creating a larger narrative. The story feels fluid and well paced, allowing the emotional moments to develop naturally. The art style is beautiful and consistently high quality, and the soundtrack is not onlygood, but also used at the right moments, helping to create atmosphere and strengthen emotional scenes.

Sousou no Frieren is a very compelling anime. It strikes a strong balance between action, combat, humor, and more reflective, emotional, and contemplative moments. It’s not meant for people who are only looking for flashy battles—it explores life as a journey, where you meet and inevitably lose people along the way. The story presents life as a collection of moments that shape who we become, where every person, animal, and even the landscapes we encounter play a role in that process. The anime isn’t perfect—nothing truly is—but it does a great job of showing that heroes need companions, that they need to learn and grow,not just push their limits.

This anime is okay. Its funny often enough that i would have given it a 6 but i took an entire star off just for the curing of a wheelchair user with an instant magical potion. as a disabled person i just wanted people to know that happens. it is a wheelchair user who became so via injury but i still dislike the common trope of treating a wheelchair like a horrible tragedy and a magical cure like the greatest thing in the world. overall this show felt almost too random at times, in like a disjointed way. sometimes i wished for just slightly moreplot? or maybe more cohesiveness with the episodes? but it did make me laugh so i guess thats good. i liked the characters too which is important for me so yeah, i recommend it for a brain off easy show (its great for high pain and fatigue days iykyk) and i will be watching 2nd season! i want to see more of Nico and Morihito!

The first thing that came to mind as I finished the show was just, what a waste. Comparable to the general opinion about Game of Thrones probably. Right from the first episode there is an undercurrent of deeper feelings and ideas being woven into the narrative. The mysteries and plot twists themselves are peak, but the characters, their emotions, and the overall concept of feelings make it a lot more complete. The thing that made me think it's a waste was not my time spent on watching the show, but it's ending. It had so much potential, the world, it's characters, the story, every ingredient availableto make the perfect delicacy and they just burnt everything by the end. The first 6 episodes are peak after peak after peak. Story is compelling, the characters are deeply emotional and make you want to watch them, the sound team is insane, and the overall visuals nd production value are probably some of the best. Then come the last two episodes. The entire story is reduced to be around atom, none of its deeper themes are truly fleshed out or given vaid conclusions. It ends like a hurriedly packed suitcase where you just stuff classics and basic themes and hope that its enough. I've cried while watching this and yet feel like eating it above a 7.5/10 would be a crime.

Ngl the season was good, has a very good story and its amusing to watch. But i feel a little bit repetitive the fact that Isagi is always like out of the match thinking and not playing but i undestand is part of his character and the development of it. The only bad part of this season is the trash animation that is even in the match with the U-20, the only good part of it was the last 15 minutes of the last episode it seems that they hold a big part of the tiny budget they got for this part and they showthat if they have a good budget Blue Lock can be the best animated football/sport anime.

Wouldn't show this to my worst enemy. This is genuinely one of the worst written pieces of media I've ever had the misfortune of experiencing. Every chance this anime has to go in an interesting or competent direction, it takes a hard turn into something legitimately unexplainable. Decisions so baffling you'll think you missed something. You didn't miss anything, the characters are legitimately just constantly flip flopping and changing their entire outlook on life with the tiniest breeze. This feels like a creative writing student in high school wrote this at the last minute the night before the assignment was due. I cannot stress enoughhow the characters are always making choices out of left field with no warning. Solutions are created out of thin air because the writers forgot to set one up. Save yourself the pain and watch something else.

This is genuinely one of the worst anime I have ever watched. There's nothing of value to even enjoy. This is like the most braindead, autistic, filler sanitized and watered-down version of Domestic Girlfriend conceivable. The story of the entire season is just the moronic notion of "hey, one of my relatives just married one of your relatives, that means we're step-family now, and because I have the moral understanding of an autistic manbaby, that means it would be immoral for us to date just cause ok?" Jesus, watch Cheaper by the Dozen if you want any actual commentary on that, because there's nothing here. It underminesthe entire 'issue' of the season by having her readily throw herself at him for no reason despite being strangers after they become step-family, and he tropety-trope rejects her to protect his virginity, and then the show forgets that and turns around to spend literally the entire rest of the time having her falling for him and being worried about that because apparently she thinks that is taboo. The dialogue is genuinely 100% filler. They genuinely have absolutely nothing to talk about beyond autistic self-narration and pointless small-talk, and the sole issue on every character's mind is "Dating? Dating? Dating?" These characters are all the most autistic robots playing out a puppet show where you can practically see the turbo-autist author moving the puppets around while voicing his self-insert living out his virginal step-fantasies with a virginal-whore-gyaru sister who just doesn't understand literature and needs the author to help her understand books and navigate social interactions and work at a book store. Jesus fucking Aqua, this garbage artist's self-insert. The animation is so slow and low-effort it may as well be tweened comic slides. Not that there's anything to animate in the first place since 100% of it is just people standing-around/sitting while yapping in the most boringly derivative art-style and settings (apartment, school, store, street) possible. I quit multiple times but was led to believe the ending was worth it. There was practically nothing there. Consistently garbage from start to finish. You can genuinely skip the entire thing to the end. All that happens is they decide whether or not to start dating. 0/10. Genuinely painful to watch.

I am incredibly surprised by the overall score of this anime, its not half good as death note or code geass (story-wise). Why; because it keeps building tension and barely releases it every 10-15 episodes until the very end, adding new characters and places that makes you think they will lead/connect to somewhere/something but they end up being just a side character. And after building all that tension, ending was a total frustration for me, i remember death note's every episode being very very exciting, in Monster, even the ending was not exciting for me. Also this story could have been told in less than 24 episodeswith no rush at all. Summary: Don't waste your time. Even if it was good, its not worth 74 episodes.

I must say the anime started of great, like most of the reviews mentioned, but man, the romance does ruin this show for me. The art, especially Scarlet is just so nicely made, shes gorgeous, but when it comes to the guys, i feel its made more for the female audience. Especially when there is a FM. Over all the show wasnt bad, and if your into the "noble/highness" type romance you might actually fancy this. But personally thats the one thing that ruined this show for me. i suggest just giving a watch, for me personally since i cant drop shows, it was really hard to finishthe anime. Even so at least the characters grew slightly. expect from the "noble" prince or the main love interest, which again, ruins it for me. I dont know whether its just a bad character, or that its actually just not made for my demographic, never the less its not too bad. Just quire disappointing.

When I first watched this anime, I thought it was just another typical show. The dialogue felt strange, the pacing seemed random, and it honestly left me confused. But I was wrong. Upon rewatching it, everything felt different. From the start, Bakemonogatari isn't an anime that relies on action or a fast-paced plot instead, it thrives on sharp dialogue, heavy symbolism, and the psychological exploration of its characters. The storytelling is non-linear, filled with eccentric scene cuts, and can feel visually "noisy" but that’s exactly where its charm lies. ​I’ll be honest: I’ve never been someone interested in philosophy. However, somehow, this anime sparked that interestin me. Its delivery doesn't feel "preachy" it’s more like an invitation to reflect slowly. I began to realize that even the smallest conversations between characters hold incredibly deep meanings. "To the person who recommended this to me honestly, screw you. I asked for a chill, healing anime, and you gave me a philosophical fever dream with dialogue so dense I need a PhD to keep up. But... somehow, I'm glad you did." ​The story follows Koyomi Araragi, a high school student who becomes involved in various supernatural phenomena linked to the traumas and personal struggles of those around him. Every case feels like a metaphor for internal conflict. 𝗦𝘁𝗼𝗿𝘆 ​The narrative doesn't focus on action but on the meaning behind every occurrence. Each arc serves as a representation of psychological issues: ​𝗛𝗶𝘁𝗮𝗴𝗶 𝗖𝗿𝗮𝗯: About the weight of memories and past trauma. ​𝗠𝗮𝘆𝗼𝗶 𝗦𝗻𝗮𝗶𝗹: A representation of losing one's way and family issues. ​𝗦𝘂𝗿𝘂𝗴𝗮 𝗠𝗼𝗻𝗸𝗲𝘆: The duality of desire and internal resentment. ​𝗡𝗮𝗱𝗲𝗸𝗼 𝗦𝗻𝗮𝗸𝗲: Social pressure and self-isolation. ​𝗧𝘀𝘂𝗯𝗮𝘀𝗮 𝗖𝗮𝘁: Perfectionism leading to severe stress and identity dissociation. ​This isn't a "get it instantly" type of story. It represents psychological burdens from the weight of the past to self-identity that leave you thinking long after the credits roll. 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝘀 ​The characters are incredibly strong and possess immense depth: ​𝗞𝗼𝘆𝗼𝗺𝗶 𝗔𝗿𝗮𝗿𝗮𝗴𝗶: A complex protagonistprotagonist occasionally absurd but highly empathetic. ​𝗛𝗶𝘁𝗮𝗴𝗶 𝗦𝗲𝗻𝗷𝗼𝘂𝗴𝗮𝗵𝗮𝗿𝗮: Sharp and sarcastic, yet fragile. ​𝗧𝘀𝘂𝗯𝗮𝘀𝗮 𝗛𝗮𝗻𝗲𝗸𝗮𝘄𝗮: Appears perfect but harbors deep internal conflict. ​𝗢𝘀𝗵𝗶𝗻𝗼 𝗠𝗲𝗺𝗲: A "mentor" figure with a laid-back yet profound philosophy. ​The dialogue between them isn't just small talk it's more like a clash of mindsets. 𝗔𝗿𝘁 Produced by Studio Shaft, the visuals are distinctly unique and experimental, defined by unconventional camera angles such as Dutch tilts, overhead shots, and extreme close-ups on details like eyes or hands, alongside rapid text flashes that deliver novel quotes or production notes in quick succession. The series also embraces minimalist yet symbolic backgrounds, using geometric elements and negative space to shape its emotional atmosphere, while its quirky visual identity is further reinforced by touches like the iconic “Shaft head tilt.” Color is used deliberately as emotion, with red scenes conveying intensity or stress and black scenes marking transitions or moments of focus. It can feel strange at times, but that strangeness is precisely what defines its identity. 𝗦𝗼𝘂𝗻𝗱 The production value extends to the ears. Each arc has its own OP sung by the respective heroine, perfectly capturing their vibe like Hachikuji’s energetic 「Kaerimichi」 The voice acting is top-tier Hiroshi Kamiya and Chiwa Saito deliver these monologues with such charisma that you’re glued to the screen even when "nothing is happening." ​Bakemonogatari isn't an anime you can just watch casually without thinking. It requires focus and patience due to its dense dialogue. However, if you enjoy something unique, philosophical, and full of meaningful conversation, this is definitely for you.

Story: 7 This time, it's hardly a Bible Black title, because it has not much to do with it. There are only sex scenes in this side story collection with the focus on the supporting cast. Characters: 7 Basically there are no personalities in this collection because of the theme, but after watching the main Bible Black, anyone would know who is who. Art: 8 Slightly better than the original, and this little upgrade doing its job. Animation: 8It's a step forward compared to the previous versions. Music and sound: 8 Not much for the music. The voice acting is not that good for some of the characters, but the better ones really try their best.

Grave of Fireflies is hard to watch. It covers difficult themes and situations that leave the viewer wondering why, why didn't they make the right choice. The choices we make in life aren't always rational or well thought out. Sometimes we make decisions that hurt ourselves. This movie does an excellent job of conveying that. Dealing with hunger, homelessness, and loss of family is difficult. It feels bad to experience any of those things. Being unable to swallow your pride to ask for help can feel impossible, where you'd rather choose anything else but that. Not knowing where to turn. I understand those feelings and thismovie depicted it with painful accuracy. The artwork, sound track, and voice acting set a perfect tone to encapsulate the feelings of the character's strife and tragedy. This movie sits as a reminder to keep on pushing forward and trying to do the best for myself so I don't fall victim to the same fate as the characters. It's painfully honest. I loved it.

This film is from the era when My Hero Academia was still good. My Hero Academia: World Heroes' Mission arrives at a time when My Hero Academia was already well-established, and it dares to play with a bold idea: placing Izuku Midoriya in the role of a fugitive accused of mass murder. Yes, it's a premise that, at first glance, seems absurd, especially considering who Midoriya is. But within the context of shounen films (anyone who's seen something similar in Naruto Shippuden knows), it works better than it seems. The story revolves around a global threat involving an extremist organization, while Midoriya must prove his innocence whiletrying to prevent a catastrophe. Narratively, the film isn't perfect; it has rushed moments, some plot conveniences, and a development that could be deeper. It's easily rated 7/10 in that regard. But even so, it delivers some very good moments that compensate for these flaws. The film's greatest emotional highlight is the relationship between Midoriya and Rody Soul. Rody is the kind of character who arrives without much fanfare but quickly wins you over. The dynamic between the two works incredibly well: on one side, Midoriya with his unwavering sense of justice; on the other, Rody with a more cynical and realistic view of the world. This exchange creates genuine moments, whether humorous or dramatic. Speaking of Rody, he's easily one of the best original characters in the franchise's films. Charismatic, human, and with clear motivations, he doesn't just seem like a "film extra"; he truly matters to the story. Now, if there's one aspect that truly elevates the film, it's the technical side, especially the action. The final fight is simply absurd. It's the kind of scene that reminds us why this type of anime is so successful: fluid animation, impactful blows, dynamic camera direction, and a constant sense of urgency. It's a visual spectacle. Studio Bones delivers one of the most polished works in the franchise here. The fight scenes are intense, well-choreographed, and full of energy. Even those not particularly invested in the story will find themselves captivated by the action. The villain, on the other hand, despite having interesting and even dangerous abilities, lacks a bit of charisma and depth. He functions more as a plot device than a memorable character. Still, the film hits the mark in what many people are looking for: high-level entertainment. It's practically a "superhero movie" in the style of American comics, but with the exaggerated and energetic touch of anime. Overall, World Heroes' Mission may not be the most profound in the franchise, but it delivers emotion, captivating characters, and one of the best action sequences in My Hero Academia. Izuku's final fight against the villain is breathtaking. If you enjoy good fights and that atmosphere of heroes saving the world in style, this film is a real treat. Final score: 9/10 =================================================================================================================Versão em Português===================================== Este filme é da epoca em que Boku no Hero ainda era bom. My Hero Academia: World Heroes' Mission chega em um momento em que My Hero Academia já estava bem estabelecido, e resolve brincar com uma ideia ousada: colocar Izuku Midoriya no papel de fugitivo acusado de assassinato em massa. Sim, é uma premissa que, à primeira vista, parece até absurda, especialmente considerando quem é o Midoriya. Mas dentro do contexto de filmes shounen (quem já viu algo parecido em Naruto Shippuden sabe), funciona melhor do que parece. A história gira em torno de uma ameaça global envolvendo uma organização extremista, enquanto Midoriya precisa provar sua inocência ao mesmo tempo em que tenta impedir uma catástrofe. Narrativamente, o filme não é perfeito, tem momentos corridos, algumas conveniências de roteiro e um desenvolvimento que poderia ser mais profundo. Dá pra colocar tranquilamente como um 7/10 nesse quesito. Mas mesmo assim, ele entrega momentos muito bons que compensam essas falhas. O grande destaque emocional do filme é a relação entre Midoriya e Rody Soul. Rody é aquele tipo de personagem que chega sem muito alarde, mas rapidamente conquista. A dinâmica entre os dois funciona demais: de um lado, Midoriya com seu senso de justiça inabalável; do outro, Rody com uma visão mais cínica e realista do mundo. Essa troca cria momentos genuínos, seja no humor ou no drama. E falando em Rody, ele é facilmente um dos melhores personagens originais dos filmes da franquia. Carismático, humano e com motivações claras, ele não parece só um “figurante de longa-metragem”, ele realmente importa pra história. Agora, se tem um ponto que eleva o filme de verdade, é a parte técnica, principalmente a ação. A luta final é simplesmente absurda. É o tipo de cena que lembra por que esse tipo de anime faz tanto sucesso: animação fluida, impacto nos golpes, direção de câmera dinâmica e uma sensação constante de urgência. É um espetáculo visual. O estúdio Bones entrega aqui um dos trabalhos mais polidos da franquia. As cenas de combate são intensas, bem coreografadas e cheias de energia. Mesmo quem não estiver tão envolvido com a história vai se pegar preso pela ação. O vilão, por outro lado, apesar de ter habilidades interessantes e até perigosas, falta um pouco de carisma e profundidade. Ele funciona mais como uma ferramenta para a trama do que como um personagem memorável. Ainda assim, o filme acerta no que muita gente procura: entretenimento de alto nível. É praticamente um “filme de super-herói” no estilo HQ americana, só que com o toque exagerado e energético dos animes. No geral, World Heroes' Mission pode não ser o mais profundo da franquia, mas entrega emoção, personagens cativantes e uma das melhores sequências de ação de Boku no Hero. A luta final do Izuku contra o vilão é de tirar o folego. Se você curte boas lutas e aquele clima de heróis salvando o mundo com estilo, esse filme é um prato cheio. Nota final: 9/10

A well crafted story with beautiful art and an atypical parental moral message akin to a traditional fable. 1. Overall theme or premise: 8 2. production: 9 A. art style: 8 B. frames: 8 C. Music: 6 3. writing: 8A. story: 8 B. character progression: 9 C. dialogue: 6 Drawbacks: this anime draws on and uses too many literary, metaphysical/philosophical, historical, and religious theologies and symbology in a hodgepodge format that may confuse a younger, less read demographic or those less exposed to a scholarly background in any of those fields. basically imagine "some unc or gramps" perhaps a millennial or older with a formal non-internet education and life experience trying to make a philosophical treatise on morality for children who just wanna see some boom boom or boobies. that ish is going to right over their heads.

The ultimate romantic declaration. The third season of Kaguya-sama: Love Is War not only continues the story but elevates everything to the maximum: emotion, comedy, and, above all, the romance that has been building since the beginning. The premise remains the same: the psychological "war" between Kaguya Shinomiya and Miyuki Shirogane to make the other confess first. But here, this dynamic ceases to be just a game of pride and begins to show its real emotional consequences. What was once almost a strategic game transforms into something much deeper. And that's precisely what makes this season so special. You feel the weight of what is being built. It'snot just "who will confess first," but why it's so difficult for them. Pride, fear of rejection, insecurities—everything comes to the surface in a very well-developed way. Watching Ultra Romantic is almost a physical experience: it gives you that butterflies-in-your-stomach feeling, that good anxiety, as if you were living it alongside the characters. The development is extremely rewarding because the series respects the pacing of the story. Nothing happens haphazardly; each important moment feels deserved. And when the climax finally arrives… it's exactly what the title promises: something grand. Without giving away spoilers, it's the kind of conclusion that rewards those who have followed the entire journey. Pride and ego, which have always been barriers, finally give way to something more sincere. But it's not just romance. The season continues to perfectly balance comedy and drama. The absurd situations, the mental excesses, and the completely chaotic moments are still present, often stolen by characters like Chika Fujiwara, who keeps the series' humor alive. At the same time, the more serious moments gain even more strength. Characters are deepened, internal conflicts are explored, and the work shows that it can go beyond traditional romantic comedy. The soundtrack also deserves special mention. It knows exactly when to kick in, whether to intensify the drama or further elevate the romantic moments. There are scenes that would be good even without the music… but with it, they become memorable. Visually, the animation remains very consistent, with creative direction and full of personality. The visual exaggerations and metaphors continue to be used intelligently to represent the characters' internal conflicts. In the end, this season is practically the peak of the work. It's the kind of anime you want to watch with company because several scenes simply leave you smiling like a fool. If you've followed along this far, this season not only delivers, it surpasses expectations. Final score: 9/10 =================================================================================================================Versão em Português===================================== A definição de ápice em declaração romântica. A terceira temporada de Kaguya-sama: Love Is War não só continua a história como eleva tudo ao máximo: emoção, comédia e, principalmente, o romance que vinha sendo construído desde o início. A premissa continua a mesma: a “guerra” psicológica entre Kaguya Shinomiya e Miyuki Shirogane para fazer o outro confessar primeiro. Mas aqui, essa dinâmica deixa de ser só um jogo de orgulho e começa a mostrar suas consequências emocionais de verdade. O que antes era quase uma brincadeira estratégica vai se transformando em algo muito mais profundo. E é justamente isso que torna essa temporada tão especial. Você sente o peso do que está sendo construído. Não é só “quem vai se declarar primeiro”, mas por que isso é tão difícil para eles. O orgulho, o medo de rejeição, as inseguranças, tudo vem à tona de forma muito bem trabalhada. Assistir Ultra Romantic é quase uma experiência física: dá aquele frio na barriga, aquela ansiedade boa, como se você estivesse vivendo junto com os personagens. O desenvolvimento é extremamente gratificante porque a série respeita o tempo da construção. Nada acontece de forma jogada, cada momento importante parece merecido. E quando finalmente chega o clímax… é exatamente o que o título promete: algo grandioso. Sem entrar em spoilers, é o tipo de conclusão que recompensa quem acompanhou toda a jornada. O orgulho e o ego, que sempre foram barreiras, finalmente cedem espaço para algo mais sincero. Mas não é só romance. A temporada continua equilibrando perfeitamente comédia e drama. As situações absurdas, os exageros mentais e os momentos completamente caóticos continuam presentes, muitas vezes roubados por personagens como Chika Fujiwara, que mantém o humor da série sempre vivo. Ao mesmo tempo, os momentos mais sérios ganham ainda mais força. Personagens são aprofundados, conflitos internos são explorados, e a obra mostra que consegue ir além da comédia romântica tradicional. A trilha sonora também merece destaque. Ela sabe exatamente quando entrar, seja para intensificar o drama ou elevar ainda mais os momentos românticos. Há cenas que, sem a música, já seriam boas… mas com ela se tornam memoráveis. Visualmente, a animação continua muito consistente, com direção criativa e cheia de personalidade. Os exageros visuais e metáforas continuam sendo usados de forma inteligente para representar os conflitos internos dos personagens. No fim, essa temporada é praticamente o auge da obra. É aquele tipo de anime que dá vontade de assistir acompanhado porque várias cenas simplesmente te deixam sorrindo igual bobo. Se você acompanhou até aqui, essa temporada não só entrega, ela supera expectativas. Nota final: 9/10

Malice@Doll has been getting a lot of attention over the past couple of years because it's existential and written by Chiaki Konaka, but existentialism and gloominess are not excuses to justify one of the most disturbing clunkers this medium has ever seen. Malice@Doll is basically oppressive hentai with a story. It may not show any actual nudity, but it has tentacle rape (set to a quote of Brahms 4) and other explicit acts, which do not push the story forward here and exist purely for shock value. Furthermore, the sex scenes put the OVA at odds with its own story about the trauma of sexualexploitation and dehumanization. What is the purpose of the tentacle rape scene aside from titillation and shock value? Why is there a scene showing off every inch of Malice's body? Why am I supposed to take the series' message about exploitation seriously when it's willing to engage in such exploitation for no benefit to the plot? I guess the ending is cool, but that's old hat in so, so many anime, as are robots becoming sentient, excessive gore, and women escaping from an exploitative society. Whenever I see a video essay talking about how great this anime is, all I can think is "Really? That tentacle rape sex robot anime?", because that's all this is. Any perceived depth is average for anime and otherwise completely invented by the overthinking audience. Alternate recommendations: Madoka Magica, Lady Oscar, Astro Boy, Texhnolyze

Give Me One More Day Didn't exactly wow me as much as I hoped it would, but it's still a very enjoyable watch just for the visuals and music alone. I still haven't read the novel this movie is based off of, so I'm measuring its worth against the other adaptation of the same book, Edge of Tomorrow. Between this and Edge of Tomorrow, I'd definitely take Edge of Tomorrow. EOT (Not writing allat again and again) was able to make all the side characters both interesting and likeable enough for me to care about, while also going much more indepth with the biology of the aliens.Meanwhile, this movie has Rita and Keiji take center stage only and the other side characters exist just to exist. I don't hate Rita or Keiji, but their dynamic did feel rushed and it's a shame because the roots were planted very well for something bigger to happen between them. The relationship between the MCs in EOT was able to be fully realized thanks to the much lengthier runtime and devotion to that dynamic as early as possible. The short runtime of this movie doesn't help it at all, like most movies I've seen with that short of a runtime, unfortunately. It kills setup that should've been there for more development to occur. To end it off, I think this is a good directorial debut movie. It has a lot of passion and care put into it to be an enjoyable movie. Seeing as how one of the director's favorite movies is Terminator 2, it kind of explains some of the choices made here. The inspirations and love for the craft are open for all to see, and I find that commendable and inspiring. I'm hopeful that the next movie this director works on will be able to surpass this one in many ways.

What a fantastic continuation of the "begging" little wolf! The second season of Beastars Season 2 not only maintains the level of the first but also deepens everything that made the work stand out. Here, the story ceases to be just an introduction to the world and fully immerses itself in its consequences, especially the mystery surrounding Tem. From the beginning, this crime hung like a shadow over the narrative, and finally we have the development and resolution of this plot. The way the suspense is conducted is very efficient; it's not just about discovering "who did it," but understanding why it happened. And when the answercomes, it carries enormous emotional and symbolic weight, reinforcing the central themes of the series. The focus remains on Legoshi, and it is here that he truly grows as a character. The doubts that already existed in the first season become even more intense: his struggle against his own instincts, his sense of justice, and his difficulty in understanding his place in the world. He is not a protagonist who "solves everything"; on the contrary, he constantly questions everything around him, which makes it easy to identify with him. This feeling of not fully understanding the world is very well developed. At the same time, his relationship with Louis gains even more depth. The contrast between the two, an insecure predator and a proud herbivore, is one of the strongest points of the work. In this season, their paths diverge at certain moments, but the bond between them only becomes more interesting and complex. Another important highlight is how the anime expands the "darker" side of this universe. We are introduced to environments and situations that show that this seemingly organized society hides much beneath the surface. This adds constant tension to the narrative and reinforces the social criticism present in the work. Visually, the quality remains extremely high. The 3D animation from Studio Orange continues to impress, fluid, expressive, and very well directed. The confrontation scenes, especially, have a physical and emotional weight that helps to convey each moment. It's the kind of production that shows how 3D can be used artistically and not just functionally. The soundtrack and atmosphere remain excellent, contributing to that somewhat uncomfortable, somewhat introspective mood that is a trademark of Beastars. Everything always seems on the verge of exploding, and often it does. Overall, this second season is a continuation that fulfills its role very well: it resolves a major mystery, deepens characters, and expands the universe without losing its essence. Perhaps it's even denser and less "impactful at first" than the previous one, but in return it delivers more emotional and narrative content. If you liked the first season, this one is a must-see. And if you're still undecided about Beastars, this continuation only reinforces how unique the work is within anime. Final score: 9/10 =================================================================================================================Versão em Português===================================== Que continuação foda do lobinho “pidão”. A segunda temporada de Beastars Season 2 não só mantém o nível da primeira como aprofunda tudo que fez a obra se destacar. Aqui, a história deixa de ser apenas uma introdução ao mundo e mergulha de vez em suas consequências, principalmente no mistério envolvendo Tem. Desde o início, esse crime pairava como uma sombra sobre a narrativa, e finalmente temos o desenvolvimento e o desfecho dessa trama. A forma como o suspense é conduzido é muito eficiente, não é só sobre descobrir “quem fez”, mas entender por que aquilo aconteceu. E quando a resposta vem, ela carrega um peso emocional e simbólico enorme, reforçando as temáticas centrais da série. O foco continua em Legoshi, e é aqui que ele realmente cresce como personagem. As dúvidas que já existiam na primeira temporada se tornam ainda mais intensas: sua luta contra os próprios instintos, seu senso de justiça e sua dificuldade em entender seu lugar no mundo. Ele não é um protagonista que “resolve tudo”, pelo contrário, ele constantemente questiona tudo ao seu redor, o que torna fácil se identificar com ele. Essa sensação de não entender completamente o mundo é muito bem trabalhada. Ao mesmo tempo, a relação dele com Louis ganha ainda mais profundidade. O contraste entre os dois, um predador inseguro e um herbívoro cheio de orgulho, é um dos pontos mais fortes da obra. Nessa temporada, os caminhos deles se distanciam em certos momentos, mas o vínculo entre os dois só se torna mais interessante e complexo. Outro destaque importante é como o anime expande o lado mais “sombrio” desse universo. Somos apresentados a ambientes e situações que mostram que aquela sociedade aparentemente organizada esconde muita coisa por baixo da superfície. Isso adiciona tensão constante à narrativa e reforça a crítica social presente na obra. Visualmente, a qualidade continua altíssima. A animação em 3D do estúdio Orange segue impressionando, fluida, expressiva e muito bem dirigida. As cenas de confronto, especialmente, têm um peso físico e emocional que ajudam a vender cada momento. É o tipo de produção que mostra como o 3D pode ser usado de forma artística e não só funcional. A trilha sonora e a ambientação também continuam excelentes, contribuindo para aquele clima meio desconfortável, meio introspectivo, que é marca registrada de Beastars. Tudo parece sempre à beira de explodir, e muitas vezes explode mesmo. No geral, essa segunda temporada é uma continuação que cumpre muito bem seu papel: resolve um grande mistério, aprofunda personagens e expande o universo sem perder a essência. Talvez ela seja até mais densa e menos “impactante de primeira” do que a anterior, mas em compensação entrega mais conteúdo emocional e narrativo. Se você gostou da primeira temporada, essa aqui é obrigatória. E se ainda está em dúvida sobre Beastars, essa continuação só reforça o quanto a obra é única dentro dos animes. Nota final: 9/10

Well, just as good and enjoyable as the first season. Many people still call this “just average” — probably the usual mainstream fans who only like super polished stuff. But a person with real taste knows: this is a damn solid power fantasy that continues to deliver exactly what it promises. Season 2 keeps the same fast, light and entertaining spirit alive. The story continues naturally after the events of Season 1, and it knows exactly what corners to cut so it stays quick, never boring, and still interesting. More action, more harem moments, stronger party dynamics, and still some genuinely funny scenes mixed in. We’re nowfully in the “Hajime and his party conquering the world” phase. The labyrinths, new threats, and adventures feel fresh while staying true to the series’ roots. The pacing is excellent, the power moments stay satisfying, and it never tries to be something it’s not. Pure wish-fulfillment isekai done right — exactly what fans of the genre are looking for. Hajime remains the ultimate badass edgelord. His relationships with Yue, Shea, Tio and the rest of the harem get more development and feel even warmer. The group chemistry is on point and the banter is great. Still not deep drama, but that’s not what this show wants to be — and it owns it perfectly. The animation is solid and shows clear improvement in action scenes. The music fits the power-fantasy vibe well, and the voice actors continue to deliver the over-the-top lines and humor excellently. Season 2 is a worthy continuation that feels just as good as Season 1. Fast, light, entertaining, and full of satisfying OP moments with good laughs in between. It doesn’t try to reinvent the wheel — it just keeps rolling smoothly. If you enjoyed Season 1, you’ll feel right at home here. Perfect for people who actually like unapologetic power fantasy isekai. Highly Recommended. WATCH IT. A person with taste will understand why this series is great. 🔥

I will keep it short as usual and I will avoid spoilers. Owari no Seraph is a really interesting and underrated anime. I really like the concept, it’s set in a dark, post-apocalyptic world where humans and vampires are in conflict. It mixes action, fantasy and drama which work really well together. The characters are really well written and designed. The music is good. I really like the animation especially the fight scenes which are amazing. The art looks clean and it really fits the dark tone of the anime. The story is great but unfinished and I hope that one day we will get the fullstory. I really hope we get a season 3. I know it’s been over 10+ years since season 2 was released but I still have hope.

A different kind of isekai… finally. After so many titles repeating the same formula, Mushoku Tensei: Isekai Ittara Honki Dasu emerges as a work that takes the saturated base of the genre and truly tries to do something more. Yes, the premise is familiar: the protagonist dies in our world and reincarnates in a fantasy universe with magic. So far, nothing new. The difference lies in how this story is told. Here we follow Rudeus Greyrat's entire life from birth, something rare in the genre. The narrative doesn't jump straight to the "overpowered hero saving the world"; it builds, step by step, the character's growth. And thisgrowth is neither pretty nor comfortable to watch. Rudeus is, without mincing words, a difficult protagonist to swallow. He carries extremely problematic traits, many deplorable attitudes, and moments that truly cause discomfort. And this is not an accident; it's part of the work's purpose. Instead of romanticizing the character, the anime exposes his flaws in a raw way. But the key point lies in the evolution: little by little, we see changes in behavior, in the way of thinking, and in how he perceives the world and the people around him. This journey of development is the great differentiator. Mushoku Tensei isn't about being a perfect hero, but about someone who seeks to adventure in this world, even starting from a very low point. This brings a level of emotional realism that many isekai simply ignore. Another huge highlight is the world-building. The universe is rich, alive, and full of detail. It doesn't just seem like a generic RPG setting; there are cultures, languages, conflicts, and well-established rules. All of this helps to make the immersion much stronger. And then there's the technical aspect: the animation is absurd. Produced by Studio Bind, the anime delivers a level of visual quality that easily places the work among the best animated in the genre. The magic scenes, in particular, completely break away from the generic standard. It's not just "colorful lightning everywhere"; there's weight, impact, fluidity, and creativity in each spell. The direction also deserves applause. Small details, such as expressions, silence during important moments, and the way time passes, help tell the story in a much more natural and engaging way. Another interesting point is how the work mixes fantasy with very human aspects. Relationships, regrets, desires, traumas—all of this is treated with a certain care, even when the protagonist clearly makes mistakes. This keeps the viewer, even if uncomfortable, interested in the journey. But let's be direct: it's not a work for everyone. Precisely because of the protagonist's actions, many people may not be able to continue, and that's totally understandable. Still, it's undeniable that the anime has a clear premise and executes it with great competence. In the end, Mushoku Tensei takes a basic idea and transforms it into something engaging, technical, and, at various moments, even provocative. If you like isekai and want to see something that truly tries to evolve the genre, this is one of the best possible choices. Final score: 9/10 =================================================================================================================Versão em Português===================================== Um isekai diferente… finalmente. Depois de tantos títulos repetindo a mesma fórmula, Mushoku Tensei: Isekai Ittara Honki Dasu surge como uma obra que pega a base saturada do gênero e realmente tenta fazer algo além. Sim, a premissa é familiar: o protagonista morre no nosso mundo e reencarna em um universo de fantasia com magia. Até aí, nada de novo. A diferença está em como essa história é contada. Aqui acompanhamos a vida inteira de Rudeus Greyrat desde o nascimento, algo raro no gênero. A narrativa não pula direto para o “herói overpower salvando o mundo”; ela constrói, passo a passo, o crescimento do personagem. E esse crescimento não é bonito nem confortável de assistir. Rudeus é, sem rodeios, um protagonista difícil de engolir. Ele carrega traços extremamente problemáticos, muitas atitudes deploráveis e momentos que realmente causam desconforto. E isso não é um acidente, faz parte da proposta da obra. Ao invés de romantizar o personagem, o anime expõe suas falhas de forma crua. Mas o ponto chave está na evolução: aos poucos, vemos mudanças no comportamento, na forma de pensar e na maneira como ele enxerga o mundo e as pessoas ao seu redor. Essa jornada de desenvolvimento é o grande diferencial. Mushoku Tensei não é sobre ser um herói perfeito, mas sobre alguem que busca se aventurar nesse mundo, mesmo começando de um ponto bem baixo. Isso traz um nível de realismo emocional que muitos isekais simplesmente ignoram. Outro destaque enorme é o mundo construído. O universo é rico, vivo e cheio de detalhes. Não parece só um cenário genérico de RPG, há culturas, línguas, conflitos e regras bem estabelecidas. Tudo isso ajuda a tornar a imersão muito mais forte. E aí entra a parte técnica: a animação é absurda. Produzido pelo estúdio Studio Bind, o anime entrega um nível de qualidade visual que facilmente coloca a obra entre as mais bem animadas do gênero. As cenas de magia, em especial, fogem completamente do padrão genérico. Não é só “raio colorido pra todo lado” existe peso, impacto, fluidez e criatividade em cada feitiço. A direção também merece aplausos. Pequenos detalhes, como expressões, silêncio em momentos importantes e a forma como o tempo passa ajudam a contar a história de maneira muito mais natural e envolvente. Outro ponto interessante é como a obra mistura fantasia com aspectos bem humanos. Relações, arrependimentos, desejos, traumas, tudo isso é tratado com um certo cuidado, mesmo quando o protagonista claramente erra. Isso faz com que o espectador, mesmo incomodado, continue interessado na jornada. Mas vale ser direto: não é uma obra para todo mundo. Justamente por causa das atitudes do protagonista, muita gente pode não conseguir continuar, e isso é totalmente compreensível. Ainda assim, é inegável que o anime tem uma proposta clara e executa essa proposta com muita competência. No fim das contas, Mushoku Tensei pega uma ideia básica e transforma em algo envolvente, técnico e, em vários momentos, até provocativo. Se você gosta de isekai e quer ver algo que realmente tenta evoluir o gênero, essa é uma das melhores escolhas possíveis. Nota final: 9/10

Bro i dont get why people think if a guy is hot then he can get away with anything. From a guys perspective this is just straight up creepy, and weird. The guy forces himself onto him WAYY too much in a VERY creepy way. Any normal human would accuse him of assault atp. Its like how in old movies guys would straight up do weird shit until it somehow works and the girl falls in love, this is exactly that. Just genuine girlbait slop, no point watching. Its not entertaining to watch its just purely painful. Very unrealistic, and stupid. I genuinely cant find a reason you would watchthis

WHAT??? A furry anime? Yuck. That was exactly my reaction before starting Beastars, and maybe many people thought the same. But few works manage to break a first impression as completely as this one. What seems like just an "anime of anthropomorphic animals" quickly reveals itself to be a dense, mature narrative full of layers. The premise, in itself, is already attention-grabbing: a world without humans, where animals have evolved and formed a complex society. But the central point isn't just this curious concept; it's the conflict between predators and prey. The series uses this division as a clear metaphor for real social issues, such as prejudice,inequality, and coexistence between groups with different natures. The story follows Legoshi, an introspective and gentle wolf who lives in constant conflict with his own instincts. He's not the typical protagonist: he's insecure, emotionally confused, and, precisely for that reason, extremely human (even though he's a wolf). Alongside him, we have Haru, a rabbit who completely breaks the stereotype of fragility, and Louis, a proud and complex deer who well represents the social pressures of that world. What's most impressive about Beastars is how it transforms something seemingly simple into a profound psychological and philosophical study. The tension between desire and morality, instinct and reason, strength and vulnerability—all of this is explored in a very direct way. It's not just about "animals coexisting," it's about identity, repression, power, and even sexuality. Visually, the anime is also very surprising. Produced by Studio Orange, it uses 3D animation in a way that completely breaks away from the standard that many people turn their noses up at. The movements are fluid, expressive, and full of personality. And the stop-motion opening is simply a spectacle in itself—creative, unique, and memorable. The soundtrack and direction also help create an intense, sometimes uncomfortable, but always engaging atmosphere. There are moments of almost palpable tension, especially in the interactions between predators and prey, where any situation can escalate into something much more serious. Another strong point is how the anime defies expectations. It seems like one thing, almost light, perhaps even childish at first glance, but delivers something completely different: an adult narrative, full of nuances and without easy answers. In the end, Beastars is the kind of work you start judging… and end up strongly recommending. It's not just a surprise, it's a complete breaking of preconceptions. If you like stories that explore moral dilemmas, internal conflicts, and social criticism disguised as fiction, this is a great recommendation. Final score: 9/10 - Signed: Beggar Wolf =================================================================================================================Versão em Português===================================== O QUÊ??? Anime de furry? Eca. Essa foi exatamente a minha reação antes de começar Beastars, e talvez muita gente tenha pensado o mesmo. Mas poucas obras conseguem quebrar uma primeira impressão de forma tão completa quanto essa aqui. O que parece só um “anime de animais antropomórficos” rapidamente se revela uma narrativa densa, madura e cheia de camadas. A premissa, por si só, já chama atenção: um mundo sem humanos, onde animais evoluíram e formaram uma sociedade complexa. Mas o ponto central não é só esse conceito curioso, é o conflito entre predadores e presas. A série usa essa divisão como uma metáfora clara para questões sociais reais, como preconceito, desigualdade e convivência entre grupos com naturezas diferentes. A história acompanha Legoshi, um lobo introspectivo e gentil que vive em constante conflito com seus próprios instintos. Ele não é o típico protagonista: é inseguro, emocionalmente confuso e, justamente por isso, extremamente humano (mesmo sendo um lobo). Ao lado dele, temos Haru, uma coelha que quebra completamente o estereótipo de fragilidade, e Louis, um cervo orgulhoso e complexo que representa bem as pressões sociais daquele mundo. O que mais impressiona em Beastars é como ele transforma algo aparentemente simples em um estudo psicológico e filosófico profundo. A tensão entre desejo e moralidade, instinto e razão, força e vulnerabilidade, tudo isso é explorado de maneira muito direta. Não é só sobre “animais convivendo”, é sobre identidade, repressão, poder e até sexualidade. Visualmente, o anime também surpreende muito. Produzido pelo estúdio Orange, ele utiliza animação 3D de uma forma que foge completamente do padrão que muita gente torce o nariz. Os movimentos são fluidos, expressivos e carregados de personalidade. E a abertura em stop motion é simplesmente um espetáculo à parte, criativa, única e memorável. A trilha sonora e a direção também ajudam a criar uma atmosfera intensa, às vezes desconfortável, mas sempre envolvente. Há momentos de tensão quase palpável, especialmente nas interações entre predadores e presas, onde qualquer situação pode escalar para algo muito mais sério. Outro ponto forte é a forma como o anime desafia expectativas. Ele parece uma coisa, quase leve, talvez até infantil à primeira vista, mas entrega algo completamente diferente: uma narrativa adulta, cheia de nuances e sem respostas fáceis. No fim das contas, Beastars é aquele tipo de obra que você começa julgando… e termina recomendando com força. Não é só uma surpresa, é uma quebra total de preconceito. Se você gosta de histórias que exploram dilemas morais, conflitos internos e críticas sociais disfarçadas de ficção, essa aqui é uma ótima recomendação. Nota final: 9/10 - Ass. Lobo Pidão

GIORNO GIOVANNA 🎵 Part 5 of JoJo, JoJo's Bizarre Adventure: Golden Wind, is simply one of the most daring and stylish phases of the series. Here, the series not only expands the concept of Stands but takes this idea to an almost absurd level (in the best possible way), where creativity and strategy are worth more than brute force. Unlike previous parts, the story deviates considerably from the traditional dynamics of the Joestar family we already knew, such as Jotaro Kujo and Joseph Joestar. Instead, we delve into the journey of Giorno Giovanna, a protagonist with a very specific ambition: to rise in the hierarchy of theItalian mafia to stop drug trafficking, especially among children. And this objective already gives a more serious and even morally complex tone to the narrative. The fact that Giorno is the son of Dio Brando (in Jonathan Joestar's body) adds an interesting layer to the character's construction. He carries traits of both villainy and nobility, creating a cold, strategic protagonist, yet still guided by a sense of justice. The Stands here are a show in themselves. The creativity reaches another level; powers that, at first glance, seem simple or even useless, end up proving absurdly lethal depending on the situation. It's that kind of JoJo logic where you'd easily accept a Stand that only works on rainy Mondays… and still be invincible. But the heart of Part 5 lies in the cast. The team led by Bruno Bucciarati is simply fantastic. Bucciarati, in fact, is one of the most charismatic characters in the franchise, on the same level of idolatry that Robert E. O. Speedwagon receives from fans. Each member of the group has a striking personality, clear motivations, and memorable moments, making the journey engaging from beginning to end. The soundtrack deserves absolute praise. Giorno's theme has practically become an anthem within anime culture, instantly recognizable and used even outside the context of the work. It's the kind of music that gives you goosebumps and makes you feel like something epic is about to happen. And of course, there's no shortage of bizarre and comical moments that define JoJo. Scenes like Leone Abbacchio calmly drinking coffee and then, out of nowhere, resorting to violence without warning are the kind of unexpected humor that only this series delivers. Another highlight is the introduction of Requiem, an evolution of Stands that further expands the possibilities of the power system, making everything more unpredictable and, honestly, more insane. Visually, the animation is incredible. The exaggerated style, the dramatic poses, and the creative direction make each episode seem unique. It's a work that fully embraces its own strangeness and shines because of it. And as if all that wasn't enough, we also have the return of Jean Pierre Polnareff, which is pure, well-done fanservice that's meaningful to the story. In the end, Golden Wind is JoJo at its creative peak: stylish, intelligent, absurd, and full of personality. Rating: 9/10 =================================================================================================================Versão em Português===================================== GIORNO GIOVANNA 🎵 A Parte 5 de JoJo, JoJo's Bizarre Adventure: Golden Wind é simplesmente uma das fases mais ousadas e estilosas da obra. Aqui, a série não só expande o conceito de Stands como leva essa ideia a um nível quase absurdo (no melhor sentido possível), onde criatividade e estratégia valem mais do que força bruta. Diferente das partes anteriores, a história se afasta bastante da tradicional dinâmica dos Joestar que já conhecíamos, como Jotaro Kujo e Joseph Joestar. Em vez disso, mergulhamos na jornada de Giorno Giovanna, um protagonista com uma ambição bem específica: subir na hierarquia da máfia italiana para impedir o tráfico de drogas, especialmente entre crianças. E esse objetivo já dá um tom mais sério e até moralmente complexo para a narrativa. O fato de Giorno ser filho de Dio Brando (no corpo de Jonathan Joestar) adiciona uma camada interessante à construção do personagem. Ele carrega traços tanto de vilania quanto de nobreza, criando um protagonista frio, estratégico, mas ainda guiado por um senso de justiça. Os Stands aqui são um show à parte. A criatividade atinge outro nível, poderes que, à primeira vista, parecem simples ou até inúteis, acabam se revelando absurdamente letais dependendo da situação. É aquele tipo de lógica JoJo onde você facilmente aceitaria um Stand que só funciona às segundas-feiras com chuva… e ainda assim seria invencível. Mas o coração da parte 5 está no elenco. A equipe liderada por Bruno Bucciarati é simplesmente fantástica. Bucciarati, aliás, é um dos personagens mais carismáticos da franquia, no mesmo nível de idolatria que Robert E. O. Speedwagon recebe dos fãs. Cada membro do grupo tem personalidade marcante, motivações claras e momentos memoráveis, o que faz a jornada ser envolvente do começo ao fim. A trilha sonora merece destaque absoluto. O tema do Giorno virou praticamente um hino dentro da cultura dos animes, reconhecível instantaneamente e usado até fora do contexto da obra. É aquele tipo de música que arrepia e te faz sentir que algo épico está prestes a acontecer. E claro, não faltam os momentos bizarros e cômicos que definem JoJo. Cenas como Leone Abbacchio tomando café tranquilamente e, do nada, partindo pra violência sem aviso são o tipo de humor inesperado que só essa série entrega. Outro ponto alto é a introdução dos Requiem, uma evolução dos Stands que amplia ainda mais as possibilidades do sistema de poder, deixando tudo mais imprevisível e, honestamente, mais insano. Visualmente, a animação está incrível. O estilo exagerado, as poses dramáticas e a direção criativa fazem cada episódio parecer único. É uma obra que abraça completamente sua própria estranheza e brilha por causa disso. E como se não bastasse tudo isso, ainda temos o retorno de Jean Pierre Polnareff, o que é puro fanservice bem feito e significativo para a história. No fim das contas, Golden Wind é JoJo no seu auge criativo: estiloso, inteligente, absurdo e cheio de personalidade. Nota: 9/10

"You lost some weight" Literally the biggest understatement of the century. His height, bone/facial structure, even the skin tone changed overnight. Don't get me wrong, I'm all for hot MC's and all (and I don't watch animes with ugly MCs) but this is the most unbelievable of the unbelievables. The story is pretty linear, massively predictable, although I wouldnt call it much of a story, since a story is something you are keen on following, and I wasn't very keen with this one. Story: 0/10 Characters development: 1/10 Plot: 3/10 Design: 8/10 Binge watchability: 4/10 (maybe 10/10 to some idk) Is it exciting: 3/10Do I want to re-watch: 0/10

Before I launch into my criticisms of this popular series, let me start with a review of the strengths of Komi Can't Communicate: First, the production value is amazing — even when a scene (or episode) is not particularly interesting, at least it always looks great! Meanwhile most of the jokes land well enough, and the constant switching between Komi's popular-girl-ice-queen stare to her shy, wide-eyed, and chibi alternate ego somehow never gets old. Most important of all, the romance between her and Tadano is absolutely adorable and taps directly into the sweet, uncomplicated energy of young love that somehow alludes so many other knock-off entriesin the romance genre. And despite not being the most complex character, Komi's goal to make 100 friends provides a critical emotional anchor to the show's progression and prevents the entire thing from devolving immediately into a sterile dozen episodes of cheap, overly filtered will-she/will-he gags. Unfortunately, many of these strengths are outweighed by negative counterparts. Setting aside multiple instances of unnecessarily weird fan service, Komi Can't Communicate suffers from a near-universal pitfall of the anime romance genre: a bland, emotionally frustrating male MC. While Tadano is actually aware of his romantic feelings for Komi (which is already better than half of his male MC peers), he nevertheless fulfills the trope of being perpetually spineless when it comes to acting on his latent desires. Even worse, when Tadano gets frazzled or nervous during an interaction with Komi — and by that, I mean virtually *every* interaction with Komi — all hope for progress or even just coherent dialogue is shattered. This becomes worse the longer the season goes, as an increasingly enlarged cast of characters means less exclusive screentime for the would-be couple; in fact, it could even be argued that Komi Can't Communicate is more appropriately labelled a "friend group" anime than a romance one. All in all, I enjoyed the season and would tepidly recommend it to those who already enjoy romance anime and have built a tolerance to some of the more chronic issues in the genre. That said? I have little to no interest to embark on a second season, and *definitely* not a five-hundred-chapter manga that dangles its romance in front of its readers like a carrot on a stick. Frankly I think that Komi Can't Communicate should have remained a one-shot, and when expanded, kept to a mini-series. As of writing this, season three has yet to be officially confirmed — but even if it is, I simply can't imagine how any of its material will be substantially different from what you already get in the first season. 6/10

Is the perfect film possible? It depends what you’re looking for sure, but the Kizumonogatari trilogy as is close as it gets to storytelling perfection. Kizumonogatari II: Nekketsu-hen might honestly be my favorite of the three Kizumonogatari movies. The biggest highlight of this movie is easily Araragi and Hanekawa’s relationship. Some of my favorite scenes in the entire Kizumonogatari trilogy are just the conversations between those two. Their dialogue has that classic Monogatari feeling where every interaction is funny, awkward, revealing, and strangely meaningful all at once. Even when nothing explosive is happening on-screen, their chemistry keeps the movie completely engaging. The action is also absolutely unparalleled. WhenMonogatari decides to go all-out with fight scenes, it really goes all-out, and this movie is no exception. Nekketsu-hen gives us three perfectly paced fights, each one with its own rhythm, energy, and visual identity. The animation is stylish, intense, and creative in a way that only this series can really pull off. It never feels like generic action. Every fight feels theatrical, strange, brutal, and uniquely Monogatari. This movie also continues to provide more of what makes the series so special: fun and intriguing character interactions, fabulous liminal settings, surreal visual direction, and a wonderful soundtrack that captures the mood perfectly. The synth-heavy music adds so much atmosphere, giving the movie this strange mix of tension, loneliness, coolness, and supernatural mystery. What makes Nekketsu-hen stand out is how well it balances everything. It has great dialogue, great action, great visuals, and that unmistakable Monogatari mood where every scene feels like it is taking place in some dreamlike version of reality. The movie is stylish without feeling empty, weird without feeling random, and emotional without needing to overexplain itself. All of the Kizumonogatari movies are 10/10 for me, but the second one might be my personal favorite of the trilogy. It takes everything I love about Monogatari and condenses it into a movie that feels exciting, atmospheric, and unforgettable from start to finish. As a whole, the Kizumonogatari trilogy is probably one of the best collections of anime movies ever made. And Nekketsu-hen is a perfect example of why. I’m convinced anyone giving this film less than a 10 have never actually watched this movie.

Mardock Scramble: The First Compression comes to us via a combination of anime’s most unhinged writer and most unhinged studio to produce a surprisingly compelling, if a bit muddled cyberpunk crime thriller. Explanations for the various unique sci-fi concepts and technologies tend to focus more on the “why” than the “how,” so while the intricacies of how Balot is able to make Œufcoque do the utterly fantastical things he does is left unsaid, character motivations and thematic ideas are crystal clear, if a bit overly so. The focus on sexual assault and how it affects its victims means this film comes with heavy content warnings,but, for the most part, it’s portrayed in a way that both acknowledges the deep pain inflicted upon those who are victims, while also empowering them with the tools and ideas they need to overcome a deeply-engrained trauma. It does occasionally fall for the trap of still framing her through a sexually-enticing lens though, so it’s far from perfect. Visually, it is certainly a GoHands production. Striking character models and thrilling action live side-by-side with egregious CG models and color design so intentionally garish and G R E E N that it sears the eyes. It’s also not the most interesting sci-fi world to look at in terms of technological creativity, with a lot of structures defaulting to something vaguely futuristic looking, but the action spectacle does make up for a good deal of the other visual inadequacies. As the first part of a trilogy, it is blisteringly paced, which by itself is good, but hopefully that doesn’t mean it gets completely burnt out before we reach the conclusion.

Classic hentai with nice dark fantasy elements. Story: 7 It has a surprisingly complex story and a really good ending. There are explanations for what is happening and why, making the story actually interesting and somewhat deep. Characters: 7 The main characters have some background, so there are some personalities here. Art: 7 Nothing special, and there are some bloody scenes where the viewer can't see what actually happens, but it's like fine wine for its time. The girls are looking good, as always. The male characters look a bit weird, though.Animation: 8 The animation is really good, especially for its time. Music and sound: 7 Not much for the music. The voice acting is not that good for some of the characters, but the better ones really try their best.

Sansha Mendan is a hentai, if you ever noticed. It has everything: blackmail, Rape, your typical studio shitvPoro things, a shit MC, and, and, and... but I can watch it again. You know why? Because this time—and hear me out—this time the character design was somewhat changed from your past 40 Poro hentais designs, and not just the usual hair difference. Something about the eyes or face size, I am pretty sure. Now, the girls—I did not like any of them , to be honest, especially the pink-haired teacher. Stop reading this and go to another hentai called (Shihai no Kyoudan), i thought itwas the same freaking character, but it was not. Like, screw whoever is responsible for the cover arts by this stupid studio. If I had to choose any of the girls, it would be the blonde girl; her voice was pretty hot, man. The OST was awful, I did not like it at all , but to be completely honest, I did enjoy it more than your typical Poro hentais. Cheers.

Ah.. A Hentai that took me by surprise since T-rex is the best NTR studio out there and this plot is one of those you can easily turn into one. But everytime they do a "Vanilla Hentai" - they always deliver like they wanna compete vs "Seven" on that genre. Plot is about a couple who the guy has trouble getting up unless he is watching/reading a "harem" scene. So instead of looking for a new guy who would satisy her - she asked her friend to join them couple for a party after the wife saw her husbands obsession with such material andthats when the guy sets off. Animation is good - got me rearing for more on the sex scenes. Girls are hot af. Scenes are hot af. Definitely the best by far this early on the year

A very basic and honestly pretty cliched romance anime that suffers from pacing issues despite having two cours. Something many other adaptations these days would be on their knees to also have so that the story would seem less rushed. Despite it's more than enough runtime, the pacing is absolute ass and almost ruins a manga that was already "just ok" tier. It starts off with a kind of yandere hook but very quickly that fades away once we get to know Satsuki better. Aside from Suzu I didn't really care about the other girls and once Satsuki completely lost that initial yandere-like charm I grew moreand more annoyed. Some of the fanservice was well done but ehhhh I just wasn't into the art direction of th anime. Everything is so overly shiny and there's too much orange and pink everywhere. Should I really fault this anime for something that's just a common trend now though? Hmm... ...Well, yes. Because a lot of aspects about Watari's XX can be described with the word "common" or "normal" after the first few episodes. Just kinda boring, not to the point of extremely annoying me and in the forcing me to drop it out of frustration, but just...alright. Kind of like the manga but worsened due to the aforementioned pacing issues. If you check the manga reviews for Watari's XX you will find a lot more positive entries simply because the pacing mattered a lot, completely getting rid of the intial tension and sort of mystery aspect ruins a lot of investment the story needs for the more drama focused latter half.

This is just Don't Toy With Me Miss Nagatoro except worse in every way. I found this frustrating to watch which made it a slog to get through at times. The girl has the personality of an answering machine and the boy is so unlikable. The teasing she pulls is rarely charming or funny or cute. Have you seen Miss Nagatoro? Yes? Just watch that again instead of this. No? Watch this one firstb and then watch Miss Nagatoro to wash the taste of this one out of your mouth. Can't really recommend this oneShe can't even beat ass

Feast your eyes dear potential watcher for 30 minutes full of cute girls in bikini, school uniforms and sports attire. Yes, it is Koihime Musou but in a different setting, a high school one, special made to please the fans of this wonderful franchize. I didn't read the original VN but in regards to this entry it's unimportant, it's simply a sexy special, random people can jump right in it without even watching the prior 12 episode anime. Sure, there are some inside jokes and the character relationships are already established but I wouldn't say it's an impediment to enjoying this. Artstyle is consistent with the mainshow and it looks exactly like in the poster, no bait, the animation is fluid, you can see the staff worked on this exactly like it was a normal tv episode, nothing is lazy and it looks crisp and clear. Fanservice comes from the sexy bikini, occasional nip slips, it's more of an exposure festival than sexual ecchi. These girls will compete against eachother and that means touching and grabbing, I found it extremely sensual and pleasing to my eyes, I am positive that ecchi lovers and people in general who like watching beautiful girls will have fun with this OVA. If you are a Koihime Musou fan, either played the VN, saw a cute video on the internet or watched the anime, don't miss on this. If you like ecchi and sexy girls, I highly recomend it. The show is very playful and the atmosphere is cheerful.

This anime is an absolute treasure. It really got slept on while airing. This is one of those "I took in the kid I wasn't ready for and they changed me" shows, but it's a lot more mature in the way it addresses the subject matter. It doesn't sugar coat, it doesn't condescend, and it doesn't mind if not everyone can relate. You have a freshly orphaned girl, her autistic aunt who basically tells her "Hey kid I don't really give a shit about you, but the rest of your family is even worse, at least I can give you a life with the illusion oflove in it."but in way nicer words. The girl is just entering high school, and the hot aunt is a kinda goblin-ish borderline shut in and successful author, who regularly goes full autism writing for hours and neglects her own needs. The stuff about family dying his really hard if you've experienced it. It's way too real. I cried damn near every other episode The aunt does her best to be emotionally supportive by giving the kid advice that's more grounded in reality rather than just feeding her platitudes. And sometimes it's bitter medicine. Can not recommend this enough.

I loved watching this movie. I was drawn in by the character designs and fantasy world and was given a captivating story to accompany those. The themes can be felt by anyone and pull at the heart strings about the struggles that we all experience throughout our lives. Story: The overall story is one of personal growth and learning how to be a parent. It shows the struggles of a mother and how she adapts to the initial upheaval in her life and deals with the transition as she is thrown into a new environment with difficult life choices and needing to learn how to raisea child. It's heart warming at times and painful at others. It shows the struggles of life in a way that resonated with me and I felt completely satisfied at the conclusion. Characters: The characters were realistic, wonderful, and flawed in believable ways. As you watch the characters age their behavior changes appropriately and understandably. The motives of the characters are easily understood. Their feelings are conveyed through heart felt scenes that anyone can relate to. Artwork: I loved the character designs. The Final Fantasy Tactics character designer laid the groundwork for a beautiful cast of characters and wardrobes. The backgrounds are phenomenal and awe inspiring. I loved the big city the giant wheels and smoke stacks. Sound: The sound track was amazing and fit the mood and setting perfectly. I wish some of the scenes had been a bit longer, specifically when transitioning between points in time so we could further reflect on the changing circumstances. This is now one of my favorite anime movies.

One of the best, the most emotionally engaging anime I've seen. Bring a box of tissues. Artwork and character design is exceptional. If you're going to recommend anime to someone who hasn't watched before and want something with a mature tone, this is the one. The overall story is amazing. It shows consistent character growth of the MC that I was able to empathize with the entire time. The side characters for each of the arcs had compelling stories that drew me in and resonated with personal experiences. An absolute gem amongst the sea of trash we call anime. This one stands head and shoulders above nearlyall others.

Reviewing this after a re-watch. I enjoyed the individual stories that are presented in an episodic style as well as the overall period driven story. Each mystery was fun to see through and discover how it happened. This is one of the better mystery anime I've watched. Story: I enjoyed the overall story and each of the arcs. The sense of mystery was conveyed well and the main plot moved fast enough to keep me engaged until the end. I felt like the conclusion was lackluster in the emotional department as well as a bit disorienting with some of the scenes having inaccurate allusions. (where's mylegs?) Characters: The 2 MCs don't show as much character growth as I would've liked and I felt that at times they regressed in their behavior when it should've been steadily showing growth. This lead to me not feeling to attached to either MC. The antagonists are the MVPs of the cast, both with their personalities and how their stories play out. I was satisfied with the outcomes of the antagonists and wouldn't have minded a few of those scenes being extended so we could savor the moments a bit more. Art: The backgrounds were pretty. The character designs were nice and fitting for the period. Sound: I liked the first ED the most. I watched the subbed version and the voice acting was good but some of the lines could've been written better. A unique and interesting anime that includes several cliched character tropes but fails to execute them to their fullest.

This is the LONGEST anime I have ever completed and while technically “season 1” is only 2/3 of the show, I would say it’s fair to finally write a review. Gintama at its best is a masterclass of the genre. It blends shonen and comedy seamlessly. HOWEVER at its worst it is simply unfunny toilet humor. It can be widely unfunny at times, as well as outdated. That being said, it has such a wide cast of characters that are so strong it is hard to get bored. When Gintama decides to finally get “serious” it does it well. Some of the shonen arcs areworth the watch themselves. (Yoshiwara in flames arc perhapssss???) I usually always skip openings but never for this show! (OP 7 is my favorite) You grow to love all the characters on screen. It’s such a wide and diverse cast of characters that you start to develop the disease one piece fans have where you “feel a part of their journey”. The serious arcs work because they are built on such a strong foundation. Even characters you expect to disappear show back up regularly later.( Catherine and Tama being good examples) Would I recommend it to someone? Ehhhhh depends. I have trouble recommending a show of this length with a decent amount of “ok” episodes. The ensemble cast and episodic nature make it easy to pick up and put down if you have the time. I mean it took me a year and a half to finish just this so… I never felt the need to drop the show at any point despite its length. It is also very faithful to its source material and any filler is normally pretty funny. Similar to a lot of other comedy anime it relies VERY heavily on Japanese language and culture to understand a lot of the jokes so any sub viewers will automatically lose out a bit. If you are a fan of meta humor and shonen and you don’t mind it’s length, you will probably like Gintama. I won’t deny its flaws or argue with the fact that it can be drawn out. Overall though, I really enjoyed it and grew to love the show and time spent with it. I’ll probably carry it with me for a while. It accomplishes what it wants to well! Ok bye

i'm all for a good BL, especially because anime in this genre (that are unproblematic and consensual!!) are few and far between, but this romance didn't feel as fulfilling as i'd hoped it would be. there was barely any chemistry or progression throughout the season, and it felt less like sincere feelings and more like kondou confusing survival-based dependence for love. and aresh wasn't helping with how he basically forced a domestic lifestyle between them and looked at anyone who so much as breathed in kondou's direction like "mine, don't touch." like, why is he jealous of a ten-year-old for god's sake T-T the exposition aroundthe healing system aresh uses also felt underdeveloped and i wish it hadn't been since it’s so central to kondou’s survival. because why do you have to blow someone's back to cure them? we need to know. a lot of important details and interactions feel glossed over, which could’ve helped make kondou and aresh’s relationship feel more grounded. that said, it was fairly interesting to see the progress kondou and yua made in improving the kingdom’s economy and education. all in all, i guess it's a good representation of overworked corporate slaves and a reminder about the importance of work-life balance, but they squandered a good premise with barely memorable characters (ist being the exception, he's lowkey the best character) and even less memorable antagonists. i wouldn't want to re-watch it or a second season.

Incredibly tragic viewing experience. The art and score are phenomenal but the story and characters are just not my jam. Starting off the first case with a drug deal scam was great, but following it up with a case about sports betting and a case about retrieving a painting just took the wind out of my sails. I think the final case was a good way to raise the stakes, but it really feels like it should have come sooner. My main problem with the story is that it bends over backwards to make sure every main character is an inexplicably good person. You are servedconstant dialogue and reminders and that they are a force for good who would never actually harm anyone innocent and whoever they're scamming is very bad so they deserve it. It really dulls any story beat where Edamura tries to leave the group because he wants to be a good person. I had a pretty hard time getting on board with his point of view when the main cast only does objectively good things that also make them a lot of money. There are several "twists" where a character does something "sketchy" or "betrays" the group, and they end up not coming off as believable every single time. I virtually forgot the main cast was doing anything illegal in the first place. Case 4 was especially egregious about this. There were like 3 "double-crosses" in a row and I never felt any tension from them. If you're going to have a fake-out where I'm supposed to think a character is going rogue, I HAVE TO BELIEVE THEY WOULD BETRAY SOMEONE IN THE FIRST PLACE. The rating for this show is as high as it is solely because of sound and visuals. The story itself would probably be fitting for someone in their early teens and newer to storytelling, but I really struggled to engage with the show whenever I took a second to think about what was happening on screen.

Ms. Vampire who lives in my neighborhood is a short 12 episode anime based around the central concept of a vampire and a schoolgirl living together. I started watching it because I was told it has a focus on vampire culture: books, games and general vampire lore. I'd be remiss to not acknowledge the gay 'undertones' the show presents, you cannot not notice them, either way there isn't much to get from this if you just want yuri, it is one of few lesbian vampire stories but again there's very little lesbianism here beyond implications and the protagonist Akari, just Akari in general really.I took a long hiatus while watching it because it was too overbearingly sweet, "Ms. Vampire who lives in my neighborhood" is, of course supposed to be a sweet lovey-dovey cutesy anime but it doesn't come across in the same way as most CGDCT shows. I couldn't pin it down no matter how much I tried. Maybe its a mix of the art, voice acting and general vibe? Either way you may — like me, find the show too hard to pick up again if you don't watch it all in one sitting. Regardless, the show has decent music, voice acting, art direction and characters. It doesn't particularly excel at anything, but there's no shame in being average, especially considering that "Ms. Vampire who lives in my neighborhood" is attempting to pull a very specific audience of people who enjoy vampire fiction and humour them with references to other works (Castlevania, Bran Stoker's Dracula, etc.) and commentary on general vampire concepts (association with werewolves, having to drink blood to survive, silver bullets are fatal) — it does not fail at this. If you like vampires and enjoy references to them then this is one of very few anime that will give you that. It is also, of course, a vampire story but if you just like vampires conceptually and don't enjoy references reliant humour or you don't have a good knowledge of vampire fiction then skip this one.

Girls' Last Tour is an adorable, yet depressing anime. Its philosophical concepts are masked behind a cute facade, yet it never fails to underscore the message it's trying to deliver at any time. It somehow makes you feel like you're watching a comedy, a depressing slow burn, and a bittersweet friendship (Romance?) at the same time. The artstyle is awesome and one of the anime's strongest features. Whoever decided to make the entire anime consist of chibis deserves a raise. Chito and Yuuri were wonderfully great characters. They compliment each other greatly, making each moment of the anime a sweet one. It's a wonderful anime, and Ihighly recommend a watch for anyone wanting to a slow and calming anime.

This was an exceptional anime, great characters and great addition to the lore. The length of the anime is quite short, with each episode being a minute and a half long. That being said, it compensates for it with an amazing cast of characters and a delightfully simple plot. The artstyle is simple, yet it isn't hard to look at in the slightest. My only complaint is with the web special, where the guest characters look a bit jarring with their slightly uncanny designs. The characters were well rounded for the length of the anime. Ichihime was the best for the sole reason of carryingthe episode at some points. I highly recommend this anime, as it is seriously underrated in the anime world.

An anime with an intriguing main storyline and lots of good action. No point in reiterating the premise as you've already read it, except I will say this anime is better than it's described. You may or may not have guessed it- but something seriously sounds off about this world. Why would the heroes be branded the bad guys? Why resurrect only the worst criminals? Well- unfortunately we never get these answers this season, but the show does a fantastic job settig up the bigger picture to all why this is happening. Let's talk character first. Xylo is a great MC. He's rough around the edges, buthe has his reason. His back story is only lightly shed on, but it's still amazing. I'm sure we'll know more in the future. But when you learn about it, you can't help but root and feel bad for the guy. He's also a man's man- doing what he has to no matter the circumstances. Not only is he a great fighter, but he also isn't dumb like your typical muscle bound MC. Xylo uses his wits and cunning to help him and his friends out of variations sticky situations. In short, he's awesome. The second character to mention is the goddess Teoritta. She doesn't stand out, but she is a bundle of joy and very important as she is basically Xylo's better conscious. Teroritta plays her part well. The last shout out is Kvia. Holy shit. When we first meet her, I thought what a basic character. Seen that type before. Yup. But man- no spoiler but her closing arc towards the end is absolutely amazing. The rest of the cast are also good. Xylo's teammates are all different enough, each with their own intriguing background stories. The villains unfortunately don't get much time to shine, but there is a reason for that and I can't spoil it. Action wise- if you're here for that then you'll thoroughly enjoy it. Lot's of fast movements, shiny explosions, sword combats, etc. It's not the best, but it looks pretty, so I'm all for it. The best part for me though, as I kind of mentioned above, is the intrigue and mystery the show built throughout these 12 episodes. So many questions I need answers for! Heroes, Goddesses, demons, the church, the knights, etc. I love stuff like this where it isn't just mindless slaughter, and there's a grander scheme at play. That said, the reason I did knock it down a bit was because the over all story is good, but the smaller stories inbetween are kind of predictable and bland. Xylo and this group go here because if not the church kills them. They have to defeat this demon lord or defense this territory. And repeat. Another negative is that the powers aren't explained in this show. I'm not talking the ressurection power, but just in general. Like, some humans are straight up OP, having super human powers, or the ability to basically control magic. That said, this is always a pet peeve of mines, so I always have to subtract some for it. In the end, I really enjoyed this show and I think most will too. I really hope for season 2 so we can uncover more of the mystery surrounding this world.

Pokemon meets Looney Tunes. This is how this movie felt.Of course they call it a movie but it's 22 minutes long.I personally would've easily watched a whole hour of this.It was lighthearted fun and wholesome all the way.Also quite funny.Of course,if they'd have this be an episode of the main show,you could've called it filler,so making it it's own thing was a smart call.But even if they did,i personally believe showing how pokemon live in the big cities is a very good change of pace.That and what shenanigans they are up to while their Trainer's not here. Honestly it's a hard recommend. Truly a masterpiece inwhat it sets to accomplish.

The you that’s in yourself is less a reflection of the Ego than the you that exists in others, that is to say, the idea of you that others cultivate is more accurate than your view of yourself. And now in the internet age, as we adopt myriad identities across the web, the various versions of ourselves that others hold become increasingly disparate, and the chasm between our perceptions of ourselves and our actual selves grows ever wider. Or so I think this series is saying. Avant-garde, groundbreaking, and quintessentially postmodern, both in its message and approach to storytelling, Serial Experiments Lain is a revolutionarynear-masterpiece and a must-watch anime. Visuals: The visuals are beyond reproach, with some of the most intentional composition, striking color, and agonized detail I have seen from any series to date. The shadows are blanketed with patterns of otherworldly lights, and the bright spots are oversaturated to a disorienting, blinding white. The powerlines stand stark against the sky, the transformers buzz with the presence of God, and the technology and computers are exquisitely rendered. This is a series that recognizes it is animated and is more than willing to utilize its medium. Sound: The sound design and score keep up with the visuals, the ever-buzzing wires, the soft hum of computers, the trundling of train cars; the world is alive even while little action is happening. The series has hardly any music, but when it does incorporate its soundtrack, it does so masterfully. The screaming guitar or thumping club music that occasionally grace the series is potent and attention-grabbing. Pacing and Plot: It is difficult to explain the plot without spoiling the series, but in short, a girl becomes aware that the lines between the physical and digital worlds are beginning to blur, and she is at the center of this merge. Armed with this knowledge and a computer chip that effectively allows telepathic access to the net, she must fight against shadowy corporations, a would-be god, and fragments of herself to choose humanity’s destiny. Which, to be fair, might be a bit much for thirteen episodes, especially with how cerebral the series is. The aforementioned visual brilliance of the series does muddy the plot a bit, and with how much time you spend figuring out what’s happening now, you lose track of what's happening more holistically. The series is attention-grabbing, thoroughly gripping, and occasionally impossible to follow. While I appreciate having something to chew on while I watch TV, this show gives a bit too much food for thought. And a final, major gripe with the story of the show: the ending is awful; singlehandedly, what stopped me from giving the series a ten. Nonsensical, ex machina, and feel-good just to feel-good, the payoff is not there. I can’t say much without major spoilers, but prepare to be confused and disappointed for the last ten or fifteen minutes. Characters: The main character, Lain, is nearly mute, uttering only a few scant lines an episode, but despite not knowing exactly what she’s thinking, the audio cues and visuals are generally enough to show where she’s at emotionally, leaving the audience to experience the series with her, not through her; we have to come to our own conclusions about her drives and motives. Outside of Lain herself, however, the supporting cast often feels slightly bland, archetypal, or like one-trick ponies; they are merely there to fill their roles and exit the stage. But that is what the show wants from them, to act as stand-ins for a certain type of person and how they might respond to the universe of the show’s apocalyptic predicament. So the characters are a bit of a toss-up. If you’re engaged by the show’s themes and interested in what it has to say, you won’t mind them, but if you’re here for diversion, you’ll be sorely disappointed. Conclusion: Though the series is far from perfect, its aggressive focus on theme and substance, as well as its revolutionary and singular style, make it a memorable and genre-defining experience that’s well worth a watch. A non-stop mindfuck that will have you stopping every episode to try to piece together what just happened, before inevitably diving right back in for more.

I knew from the spoilers that it was a specific anime, incredibly mysterious, extrelmy depressing (I want to say that it affects the viewer's psyche), but the scale truly blows me away. The worldbuilding presented is incredibly rich, not only does the functioning of the city around the abyss seem rational (I really like the idea that technological progress is driven by the risky extraction of artifacts). But te number of creative solutions for the behavior of the abyss' stunning fauna and flora is astounding. The heroes quickly arouse attachment and are heterogeneous (Riko and Reg have different abilities, so they complement each other when working together).Episodic characters like Ozen and Nanachii drive brilliantly designed storytelling, they are also incredibly creatively presented. The reminiscences with Lyza are very atmospheric, although I still think she is a tragic parent, perhaps only comparable to Genndo Ikari. Some scenes has strong impact and may be difficult to watch for people who are not used to such scenes. Additionally, the music and voice acting of the voice actors fit perfectly into such scenes. Some scenes really almost made me cry. The music is adequate, the voice acting is amazing.A BRILLIANT animation that can only rival Frieren and Princess Principal in my opinion. The plot is so engaging and thought-provoking that I immediately plan to watch the second season. Some anime humor scenes were weird, but even funny (I really have a primitive taste in humor). Extremly great series. Definitely worth watching!